Actors Agree to Negotiate Together
AFTRA Makes Daytime Deal
BY Carrie L. Kaufman
AFTRA and SAG have decided to play nice and negotiate together
for the TV/Theatricals contract. The Association of Motion Picture &
Television Producers has asked for negotiations to start as early as April 1,
but the unions likely won’t be ready by then. The unions’ Wages and Working
Conditions committee met in L.A. this past Tuesday and Wednesday, and a joint
board meeting to set negotiation strategy will be held in L.A. on March 29.
After that meeting, a first negotiation is likely to be scheduled. Reardon
thinks it will be sometime in mid-April. The contract expires June 30.
The TV/Theatricals talks come on the heels of AFTRA’s
successful Network Code negotiations. Net Code covers all of network television
(CBS, NBC, ABC, FOX, CW) that’s not primetime, scripted programming. That
encompasses morning news shows, talk shows, soap operas, game shows, late
night, reality, sports. Net Code covers 70 percent of network television, and
is only administered by AFTRA.
The main goal in the Net Code negotiations was to establish—as
the writers and directors did—new media jurisdiction. They got that, in what
Reardon calls a “remarkably civil” negotiation. AFTRA’s daytime performers will
receive gross of distribution, but at a higher rate than the writers or
directors.
With performers, Reardon pointed out, “there are more people
sharing the money.”
But AFTRA also
had some bread and butter goals. Namely, they wanted to update the code to
reflect today’s TV producing environment. Many actors, dancers, stunt-people,
etc. were paid per program—which benefited them in the 1960s, when they would
knock off six programs in one day. That model still works for game shows, and
some talk shows. But AFTRA was able to change many of their shows to day rates,
so that their members would get paid for the hours, no matter how long it took
to shoot the particular show. The union also improved overtime and got health
and pension for stunt coordinators.
“The problem with the Network Code is that it covers a lot of
different entertainment,” said Reardon. “The swath of work makes it very
complicated to deal with.”
Reardon is hoping, though, that the speed, if not ease, of the
Net Code negotiations will translate into the next set of talks.
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Previous stories on this issue:
SAG Steps Back to Make Deal with AFTRA
SAG to Hold Referendum on Phase 1
Jurisdictional Disputes Threaten to Break AFTRA/SAG Alliance
AFTRA Petitions to Pull Out of AAAA
AFTRA/SAG on Verge of Permanent Split
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